|Aram Bajakian, Francois Houle, Samuel Blaser, Torsten Mueller|
|Francois Houle, Samuel Blaser (The camera seems to have auto-focused
on the back of pianist Benoit Delbecq’s head — who was sitting in front of me.)
The two-horn line can seem spare and linear, but both Blaser and Houle have a fullness of tone and a sensitivity to space, as well as a willingness to let melody and line resonate and open out into the room. The music builds on close, intimate, mutual listening, mixing counterpoint with thickly vertical harmonizing; playing two clarinets at once, Houle instantaneously concocts Pythagorean-sounding harmonies that make me think of Rahsaan Roland Kirk’s Natural Black Inventions: Root Strata and Kirk’s performances with trombonists Dick Griffin and Steve Turre. I don’t mean, by mentioning all of these other players, to suggest that this music is derivative: Blaser and Houle produce music of striking originality and boldness. But I also hear a deep sense of history and of performative inheritance that locates their work alongside that of some of the greatest and most challenging improvisers of this past century.
|Aram Bajakian, Samuel Blaser, Torsten Mueller|
|Aram Bajakian (Torsten Mueller in the corner)|